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“What the Constitution Means to Me,” Heidi Schreck’s Tony-nominated exploration of the document’s gender and racial biasesubet63, will be the most performed work in the United States for the second year in a row. And this week, just days before the U.S. presidential election, it will have its Canadian premiere.

The timing is intentional. By presenting the work starting Friday, at the Soulpepper Theater in Toronto, its artistic director, Weyni Mengesha, said she wants the production to not only inspire Canadian audiences to pay attention to what’s happening in the United States but also in their own political sphere.

“Things that happen down south affect things up here,” Mengesha said. “And we’re feeling a similar sense of divisiveness.”

Canadians are contending with a housing crisis, sky-high grocery bills, debates about immigration, and a leader — Prime Minister Justin Trudeau — whose own party wants him to step down.

But how do you retool a highly specific work for audiences who may be unfamiliar with the finer points of the U.S. Constitution?

Toward the end of U.S. productions of “What the Constitution Means to Me,” the protagonist debates a high schooler about whether to keep or scrap the U.S. Constitution. In Toronto, the production’s star, Amy Rutherford, and a local student will instead debate the merits of the Canadian Charter of Rights and Freedoms, which was created in 1982 as part of the country’s Constitution.

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